Start Date: June 11, 2017 (19:00)
End Date: June 11, 2017 (21:00)
Location: Harlow's Sacramento. 2708 J St, Sacramento, CA 95816
Phone: (916) 441-4693
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Joan Osborne says:
“Joan Osborne Sings the Songs of Bob Dylan is a project I’ve been wanting to do since I first covered Bob’s “Man in the Long Black Coat” on my album Relish. Bob has been a tremendous inspiration, and I’ve been lucky enough to record with him and to sing onstage with him when I toured with the Dead. After getting a chance to do an all-Dylan show during a two week residency in NYC earlier this year, I decided now is the time to make this album.
There is of course a deep well of brilliant songs to choose from, and the fact that the Nobel Prize committee has recently honored him makes me even more excited about it. We’ve started recording the album and it will be released next spring. We’ll be posting video updates and behind the scenes looks at the recording sessions so you can come along for the ride. Thanks as always for your love and support—I can’t wait for you to hear it!”
Joan Osborne has rightfully earned a reputation as one of the great voices of her generation — both a commanding, passionate performer and a frank, emotionally evocative songwriter. Osborne is widely known for her beloved hit song,”(What If God Was)One of Us,” as well as her live performances of “What Becomes Of The Brokenhearted” and “Heat Wave” in the GRAMMY Award-winning documentary Standing in the Shadows of Motown. A multi-platinum selling recording artist and seven-time GRAMMY Award nominee, the soulful vocalist and noted song interpreter is a highly sought-after collaborator and guest performer who has performed alongside many notable artists, including Stevie Wonder, Bob Dylan, Luciano Pavarotti, Emmylou Harris, Taj Mahal, and Patti Smith to name a few.
Counting such legendary artists as Etta James and Ray Charles as influences, Osborne is firmly rooted in R&B and soul, as evidenced by the soul covers she has recorded on her albums How Sweet It Is and Breakfast In Bed, in addition to Bring It On Home, which garnered a Best Blues Album nomination at the 2013 GRAMMY Awards. Those heartfelt performances are reflected in her Soul Revue concerts.
Osborne has released several acclaimed albums and continues to tour extensively with her own band and in various configurations, such as when she joined forces in 2003 with the surviving members of The Grateful Dead when they regrouped to tour as The Dead. In addition to her own solo shows, Soul Revue concerts and guest appearances, Osborne currently tours as a member of the rock/soul supergroup Trigger Hippy, founded by Black Crowes drummer Steve Gorman and built from each musician’s shared love of R&B and soul. The band’s self-titled debut album was released to rave reviews in 2014. Osborne has also spent plenty of time in the producer’s chair, having produced two albums for Americana stalwarts the Holmes Brothers, and co-produced her last two acclaimed solo records, Love And Hate (2014), and Bring It On Home (2012), with talented producer/multi-instrumentalist Jack Petruzzelli.
Osborne’s latest solo recording, Love and Hate, is one of the most personally-charged, creatively ambitious efforts of her two-decades-plus recording career. While she has long established herself as one of the world’s most respected vocalists, her soulful songcraft reaches a new level of musical and lyrical resonance on Love and Hate. Such insightful, emotionally complex new compositions as “Where We Start,” “Work On Me,” “Kitten’s Got Claws,” “Keep It Underground” and the pointed title track survey some of the more complicated terrain of romantic relationships, in a manner that’s rarely been attempted in popular music, while the album’s intimate, stripped-down sound marks a stylistic departure from the gritty blues-based rock for which Osborne is best known.
“I feel like each song on this album talks about a different aspect of love,” she says. “Love isn’t just one thing; it encompasses faith, passion, power struggles, humor, anguish, spirituality, lust, anger, everything on that spectrum…so I tried to come up with songs that were about different aspects of this continuum. This record is like the novel that sat in the author’s drawer for 50 years…more than any record I’ve ever done, it felt like it needed the time to change and evolve and become what it was supposed to be.”
Osborne continues to enjoy a long and storied career that was jumpstarted with the great success of her major-label debut album, Relish, which wove together strands of American roots music, poetic lyrics and impassioned vocals, and produced the massive MTV and international radio smash, “One of Us.” The song occupied the number one spot on the U.S. singles chart for two weeks, Relish eventually racked up sales of over three million copies, and Osborne found a large and appreciative audience, particularly during touring as part of Sarah McLachlan’s Lilith Fair tour.
Although the Kentucky native grew up with a passion for music, when she arrived in New York City in the late 1980s, it was to attend New York University’s prestigious film school. But she couldn’t resist the pull of the city’s live music scene for long, and soon she was performing her own songs in downtown rock clubs and emerging as a popular presence in a vibrant scene of rootsy new acts that included such thenunknowns as Jeff Buckley, Chris Whitley, Blues Traveler and the Spin Doctors. In 1992, Osborne launched her own indie label, Womanly Hips, and released the live Soul Show: Live at Delta 88 and the studio EP Blue Million Miles. Becoming a regional success led her to the signing of a major label deal and the success of Relish. But Osborne quickly made it clear that she was more interested in musical integrity and creative longevity than transient pop success, and she made that point repeatedly with such subsequent albums as 2000’s Righteous Love, 2002’s How Sweet It Is, 2005’s Christmas Means Love, 2006’s Pretty Little Stranger, 2007’s Breakfast in Bed, and 2008’s Little Wild One up through her latest releases, Bring It On Home, and Love And Hate.
“I’m getting better at what I do,” Osborne observes. “I can look at the songs on Love and Hate and realize that it’s better than I could have done 15 or 20 years ago. I have an audience that I’ve built up over time, and I feel like they’re with me. And because of that, I don’t feel any pressure to fit myself into anyone else’s idea of what I should be doing. So I feel like I can write my own rules at this point. That can be scary, but it’s also liberating, and it’s an exciting place to be.”
$40 – $45 day of show
Tickets and information about the show, available at Harlows.com.